‘The Stranger’ Assessment: François Ozon Adapts the Camus Basic right into a Sharply Cinematic Enigma

Confounding, disturbing and but icily compelling, the expertise of watching François Ozon’s “The Stranger” is just not completely dissimilar to that of studying the 1942 traditional novel of alienation and dissociation by Albert Camus. Properly, Ozon solely hardly ever goes past the textual content; as an alternative he invests signifiant artistic vitality into mimicking the affectless however oddly seductive tone […]Learn Extra