‘Two Seasons, Two Strangers’ Evaluation: A Screenwriter Pursues Her Personal Story In a Beguiling Japanese Diptych

Three years in the past, Japanese director Shô Miyake loved an arthouse breakthrough along with his attractive, unconventionally delicate boxing film “Small, Gradual However Regular”; two options later, that title seems to be increasingly more like an announcement of Miyake’s personal filmmaking credo. All three adjectives apply to his newest, “Two Seasons, Two Strangers,” although it’s extra jagged and […]Learn Extra